By David Berry
ISBN-10: 0745324142
ISBN-13: 9780745324142
From downloading tune and films to getting access to unfastened software program, electronic media is forcing us to reconsider the very suggestion of highbrow estate. whereas large businesses bitch approximately misplaced earnings, the person hasn't ever loved such freedom and autonomy. Berry explores this debate in a concise method, delivering an awesome advent for someone no longer versed within the legalistic terminology that -- up previously -- has ruled insurance of this issue.Looking on the historic improvement of the loose software program and the open resource circulate he examines its development, politics and strength impression, exhibiting how the tips that encouraged the flow have now began to persuade the broader cultural panorama. He explores even if loose software program bargains us the aptitude to re-think our courting with know-how within the details society. This booklet will attract scholars of media and journalism, and an individual attracted to new possibilities for making a actually self sustaining and democratic media.
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Additional resources for Copy, Rip, Burn: The Politics of Copyleft and Open Source
Example text
Today, the computer hacker has gained a stature in popular culture that is completely at odds to the nerdy social misfit of the 1970s and 1980s. We only need look at films such as The Matrix (1999) to see how hacking has become absorbed into fiction and the political unconscious as a cool and trendy but illicit and criminal activity. This, I argue, is a result of the threefold expansion of intellectual property protection, pervasive digital devices and the ubiquity of the Internet. Interestingly too, there has been a rise in government discourse regarding the emergence of a ‘creative’ citizen, technologically equipped to work in the knowledge or creative economy; this can be compared and contrasted with the earlier hackers for whom governments generally developed a negative discourse in terms of illegality and criminality.
Next I look at changes in intellectual property rights worldwide and the way in which immaterial property, such as patent holdings and copyrights, have become increasingly important to corporate profitability and governments’ conceptions of national success and wealth. The New Capitalism Over the past 40 years, ‘creativity’ has become the focus of an intensified interest by governments and capital. 1 This is a widening of the discourse of creativity that originally corresponded to the ideal of the Romantic ‘creativity’ of the lone artist, to describe instead the rather more mundane market production of goods and services (see Howkins 2001; Florida 2004).
That is, a software project running into millions of lines of computer code that has no formal organisational structure, no corporate hierarchy and few of the problems that seem to plague commercial software projects. But even more startling is that the software is available free of charge, incorporating within it the rights to modify, improve and share the software, with the only proviso that future versions are equally Berry 01 chap01 16 5/8/08 12:05:21 TH E CA NA RY IN TH E M INE 17 free from constraint.
Copy, Rip, Burn: The Politics of Copyleft and Open Source by David Berry
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