By Susan Nussbaum
This strong and encouraging debut is the 2012 winner of Barbara Kingsolver's PEN/Bellwether Prize for fiction. advised in alternating views through a different and vocal forged of characters, Nussbaum's novel pulls again the curtain to bare the advanced and humorous and hard lifestyles contained in the partitions of an establishment for juveniles with disabilities. From Yessenia Lopez, who goals of her subsequent boyfriend and of 1 day of dwelling open air these partitions, to Teddy, a resident who clothes up day-by-day in a whole go well with and tie, to Mia, who guards a terrifying mystery, to Joanne, the recent data-entry clerk who all at once reveals herself caring approximately each child, Nussbaum has crafted a multifaceted portrait of a lifestyle hidden from such a lot folks. during this remoted human warehouse on Chicago's South part, friendships are solid, belief is equipped, and amorous affairs start. And it's of their alliances that the citizens finally locate the energy to bond jointly, face up to their mistreatment, and struggle again.
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Additional info for Good Kings Bad Kings
Sample text
My eyes went around the room one last time, from the computer to the tournament trophies on my shelves to the black-belt certificate framed on my wall to the movie poster of The Lord of the Rings. Finally, I looked at the back of my hand. There was a number written on it in black marker. That made me smile to myself. Then I snapped the light off. I said a quick goodnight prayer. In sixty seconds, I was sound asleep. CHAPTER THREE “Kill Him” Then, all at once, I woke up. There, in that bare, terrible room.
I fell to the earth with a downward finishing strike—a punch spiraling straight to the floor as my body dropped down behind it to give it extra force. ”—expelling every ounce of tension in my body, letting the tension explode into the punch as my knuckles scraped the surface of the polished wood. Then I was upright again, spinning again, lashing out with a hook kick that brought my foot snapping around behind me and the rest of my body snapping around after it. Under the sound of my movements, I could hear the silence of the audience, I could feel their attention on me, feel them caught up in the violent grace of the form.
The strap was strong and secure. The metal of the chair was smooth. Same with my right wrist. My hand extended over the arm of the chair. I could open and close it into a fist. But there was nothing within reach, nothing I could get hold of. What about my ankles? I had to lean forward in the chair as far as I could to get a look at the front of them, then lean over to the side to get another angle. On the left, it was the same as with my wrists. Nothing to see, nothing to use. A strap, a metal chair leg, a bolt holding the chair securely to the floor.
Good Kings Bad Kings by Susan Nussbaum
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