Download e-book for iPad: Materials and Design. The Art and Science of Material by Michael F. Ashby and Kara Johnson (Auth.)

By Michael F. Ashby and Kara Johnson (Auth.)

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They do have a certain style: that of the cabinet-maker, reflecting their craft-based manufacture. Bit by bit they became tools of art, business, and science and evolved to become more like scientific instruments, the emphasis more on functionality than on visual appeal. The materials chosen for these cameras were mostly metal – they were durable and put an emphasis on “engineered” quality. But as the market for the standard product started to saturate new variants appeared: the disposable camera (made of paper), the miniature spy camera (metalized polymers), and waterproof cameras (elastomers overmolded on a range of polymers) – differentiation through technical innovation is often coupled with changes in material.

The kettle body no longer had to conduct heat – indeed for safety and ease of use it was much better made of a thermal and electrical insulator. Today almost all are made of plastic, allowing economic manufacture with great freedom of form and color. 12 shows examples of these kettles. 11) are much older than the camera itself. Lenses capable of resolving the heavens (Galileo, 1600) or the microscopic (Hooke, 1665) predate the camera by centuries. The key ingredient, of course, was the ability to record the image (Joseph Nicéphore Niépce, 1814).

2 Left Brain, Right Brain Thinking from the left or right – the first seeking solutions by logic and analysis, the second seeking solutions by synthesizing elements from recalled or imagined images or analogies. • Attributes of association are those that make a connection to a time, place, event, person, or culture – thus a jeep has military associations, gold has associations of wealth, the color black of death, the color red of weddings. • Perceived attributes describe a reaction to a material or product – that it is sophisticated, or modern, or humorous, for instance; these reactions are a sum of what you initially perceive and are heavily influenced by con text and experience.

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Materials and Design. The Art and Science of Material Selection in Product Design by Michael F. Ashby and Kara Johnson (Auth.)


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