By Dr. Seuss
ISBN-10: 0394800842
ISBN-13: 9780394800844
On past Zebra! is an illustrated children's publication by way of Theodor Geisel, higher referred to as Dr. Seuss. This booklet matches into the style of literary nonsense. The younger narrator, now not content material with the confines of the standard alphabet, invents extra letters past Z, with a good looking creature equivalent to every one new letter. The creatures contain favorites corresponding to the Floob-Boober-Bab-Boober-Bubs, huge buoyant heads which drift serenely within the water. those certainly function the instance for the letter "FLOOB".
Most of his letters seem like monograms in their names. so as, those are named YUZZ (Yuzz-a-ma-Tuzz), WUM (Wumbus), UM (Umbus), HUMPF (Humpf-Humpf-a-Dumpfer), FUDDLE (Miss Fuddle-dee-Duddle), GLIKK (Glikker), NUH (Nutches), SNEE (Sneedle), QUAN (Quandary), THNAD (Thnadners), SPAZZ (Spazzim), FLOOB (Floob-Boober-Bab-Boober-Bubs), ZATZ (Zatz-it), JOGG (Jogg-oons), FLUNN (Flunnel), ITCH (Itch-a-pods), YEKK (Yekko), VROO (Vrooms), and hello! (High Gargel-orum). The publication ends with an unnamed letter that it seems that is a monogram of all 26 letters within the present Latin alphabet. it really is left as an workout in naming for the reader.
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Additional info for On Beyond Zebra!
Sample text
The word “technology” is generally defined as the application of tools and methods, particularly the study, development, and application of devices, machines, and techniques for manufacturing and productive processes. On a deeper level, however, technology is the disclosure and manipulation of the essence of things (Heidegger, 1993). Technologies extract the essences out of human abilities by instrumentalizing them and by depriving them of their original lived context. An example is the invention of the automobile: The essential ability of human movement is extracted and intensified through the technology of the car, which, in turn, reduces the lived and embodied context of human motility.
Ong (1988) points out that in the oral world the word is essentially a call or a cry to the other, and that speech is not a reification of concepts or information, “but an event, an action” between people (p. 267). Every night we—and the other parents and children who have loved this book—enacted and performed the same story-event because it made our child feel safe, comfortable, and protected. Synesthesia Reading restructures the perceptual experience of human beings. We saw that the alphabet requires the translation of the language field into phonemes, which then are represented by symbols on the page.
London: Faber. Spufford, M. (1985). Small books and pleasant histories: Popular fiction and its readership in seventeenth-century England. Cambridge, UK: Cambridge University Press. Stevenson, R. L. (1992). Robert Louis Stevenson: Essays and poems. (C. ). London: Everyman, Dent. Tadmor, N. (1996). “In the even my wife read to me”: Women, reading and household life in the eighteenth century. In J. Raven, H. Small, & N. ), The practice and representation of reading in England (pp. 162–174). Cambridge, UK: Cambridge University Press.
On Beyond Zebra! by Dr. Seuss
by Edward
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