New PDF release: Animators Unearthed: A Guide to the Best of Contemporary

By Chris Robinson

ISBN-10: 0826429564

ISBN-13: 9780826429568

The 3rd is a sequence of appendices that summarize for the reader information regarding the content material of yes theoretical versions of feedback. eventually, a bibliography directory a wide selection of rhetorical serious reports and reference works is incorporated. (An index will be additional as soon as ultimate pagination is settled)

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Extra resources for Animators Unearthed: A Guide to the Best of Contemporary Animation

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Some of them are just spoken word monologues. I’d clearly felt that I could take one of these performances verbatim and create an animation out of it. And so I talked with the director afterwards and introduced myself, and said I’ve really got to see as much of this material as you’ve got, either on video or I’ll pore through this stuff live. ” Landreth was particularly interested in a short play they did called Disregard this Play. With permission from the theater group, Landreth took their performance and turned it into an animated film.

While Battaglia’s films certainly fall into the realm of abstract or experimental animation, they’re not cold, pretentious or devoid of personality; Battaglia’s works are ambitious but always warm, personable and often funny. This is a man who enjoys his work and, more importantly, clearly enjoys life and extracts everything he can from it. 3 Plugs McGinniss CHAPTER 2 Aaron Augenblick Last Exit to Brooklyn There’s never been a richer time in animation. With the emergence of new technologies that have made animation more affordable to produce and an animation boom that saw a rise in animation production on TV and the internet, in commercials, music videos, and in cinemas, the opportunity exists for animators to successfully straddle the line between commercial and artistic work.

At that point, Augenblick decided that the best approach would be to combine freelance and independent work. “The idea was that I would be doing freelance work by day, while doing independent projects by night. This is when I think we became a real studio. I worked on a ton of freelance gigs, and also made Drunky, Plugs McGinniss and The Dignified Devil. Small jobs began to lead to bigger jobs and our first big break was Shorties Watchin’ Shorties on Comedy Central. After that, I’ve had the luxury of being choosy about the freelance jobs we take on as a production studio.

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Animators Unearthed: A Guide to the Best of Contemporary Animation by Chris Robinson

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