By Felix Guattari, Paul Bains, Julian Pefanis
The ultimate paintings by means of the writer earlier than his demise in 1992, Chaosmosis is a thorough and hard paintings involved in the reinvention and resingularization of subjectivity. It makes an attempt to include affective switch, the short-circuiting of signification and the proliferation of feel essential to interact with non-discursive, creative, poetic and pathic intensities. It comprises serious reflections on Lacanian psychoanalysis, structuralism, info thought, postmodernism, and the concept of Heidegger, Bakhtin, Barthes, and others.
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Extra info for Chaosmosis: An Ethicoaesthetic Paradigm
The fact that the psychotic patient is incapable of a heterogenetic re-establishment does not in itself obviate the richness of erable nucleus of ontological creationism. 82 chaotic "earthing," this perilous oscillation, that something else becomes possible, that ontological bifurcations and the ontological experimentation with which he is confronted despite himself. This is why delirious narrativity, as a discursive power finalised by the crystallisation of a Universe of reference or a non-discursive substance, constitutes the paradigm for the construction and reconstruction of mythical, mystical, aesthetic, even scientific, worlds.
The assemblage of the four ontological functions. possible real 61 does not thus choose one modelisation to the exclusion of another. Within the diverse cartographies in action in a given situation, it tries to make nuclei of virtual autopolesis dis- cernible, in order to actualise them, by transversalising them, in conferring on them an operative diagrammatism (for example, by a change in the material of Expression), in making them themselves operative within modified assemblages, more open, more processual, more deterritorialised.
As Freud observed, Fort-Da is found in other behaviours; it can be expressed in relation to the effective absence of the mother or in a child's game with its own image in the mirror that it makes appear and disappear. It is, in fact, a matter of a rich, multivalent, heterogenetic machine that can neither be legitimately fixed to a maternal-oral stasis, nor to a language stasis, although they incontestably participate in it. It is all these things at the same time and many others besides! We have to choose here between a mechanical conception of deathly repetition and a machinic conception of processual opening.
Chaosmosis: An Ethicoaesthetic Paradigm by Felix Guattari, Paul Bains, Julian Pefanis