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ISBN-10: 9042023104

ISBN-13: 9789042023109

Unlike narrative, description is a far much less researched phenomenon, and the place it thus far has came across awareness in any respect, students have ordinarily mentioned it with fiction in brain. The all yet unique focus on literature has hitherto obscured the truth that description transcends literature and certainly the verbal media mostly and isn't just a transgeneric but in addition a transmedial phenomenon that may be present in many different media and humanities. This ebook is a pioneering interdisciplinary examine of description because it for the 1st time undertakes to shut this learn lacuna via highlighting description and its relevance with regards to a large spectrum of arts and media. the amount opens with an in depth introductory essay, which goals at clarifying the descriptive as a easy semiotic type of organizing indicators from a theoretical standpoint but in addition presents a primary review of the makes use of of description in addition to its problematics in fiction, portray and instrumental tune. in general a part of the publication, 9 contributions by means of students from quite a few disciplines discover description in person media and varied cultural epochs. the 1st portion of the booklet is devoted to literature and similar (partly) verbal media and incorporates a typological and old survey of description in fiction in addition to discussions of its incidence in poetry, nature writing, radioliterature and picture. the second one half offers with the (purely) visible media and levels from a presentation of the descriptive concepts utilized in Dürer's image reproductions to common reflections on 'the descriptive' within the visible arts in addition to in images. a 3rd part on description in track offers a point of view on another medium. the quantity, that is the second within the sequence 'Studies in Intermediality', is of relevance to scholars and students from a variety of fields: intermedial reports, literary and movie stories, background of artwork, and musicology.

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Extra resources for Description in Literature and Other Media (Studies in Intermediality, Volume 2)

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With reference to a typology of verbal texts, this potential recursivity of frames has already been proposed with particular clarity by Virtanen (1992)25 and in similar terms by Fludernik (2000). For our purpose of a transmedial typology these findings can be adapted and the resulting typological possibilities be visualized as in Figure 1 (cf. also Wolf 2003: 181); one should, however, emphasize that in Figure 1 all registers (1-5) show only examples and hence do not represent the full repertoire of options.

An obvious possibility of approaching the characteristics of descriptions is answering the following question: are there typical contents or objects of description in literature and other media – in comparison to typical contents of narrations? There are two respects in which this question can immediately be answered with reference to literature as well as to other media: Firstly, objects of description, like the content of narratives, can be either real or fictional, and if fictional, as said above, mimetic or non-mimetic (e.

A discernible emphasis on paradigmatically transmitted perceptual details (‘surface’ details) is a related marker of descriptiveness. If the description occurs in the larger context of a narrative, an additional stimulus is the feeling that the narrative progress is interrupted or temporarily suspended. 7. The concretization of descriptive objects in the recipient’s mind Stimuli given by a descriptive artefact or text are only part of what must be taken into account when the frame ‘description’ is activated in a recipient with reference to a concrete object.

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Description in Literature and Other Media (Studies in Intermediality, Volume 2)

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