By Haruo Shirane
ISBN-10: 0231142374
ISBN-13: 9780231142373
Haruo Shirane (ed.)
Bringing jointly students from internationally, Haruo Shirane offers a desirable portrait of The story of Genji's reception and replica during the last thousand years. The essays study the canonization of the paintings from the past due Heian throughout the medieval, Edo, Meiji, Taisho, Showa, and Heisei classes, revealing its profound impression on numerous genres and fields, together with sleek country development. in addition they contemplate parody, pastiche, and new version of the textual content in a variety of renowned and mass media. because the Genji used to be written by way of a lady for lady readers, individuals additionally take in the problem of gender and cultural authority, taking a look at the novel's functionality as an emblem of Heian court docket tradition and as a huge instrument in women's schooling. during the quantity, students talk about achievements in visualization, from monitor portray and woodblock prints to manga and anime. taking over such recurrent subject matters as cultural nostalgia, eroticism, and gender, this publication is the main complete heritage of the reception of The story of Genji to this point, either within the nation of its foundation and during the world.
Reviews:
This attention-grabbing e-book bargains the main entire heritage of the reception of the "Genji"
(Japan Times)
[A] wealthy anthology.
(Choice)
A thought-provoking learn of a seminal work.
(Melinda Takeuchi Impressions 1900-01-00)
Crossing the premodern-modern divide, this collaborative paintings presents a finished historical past of the reception, interpretation, and version of the Genji. relatively laudable is the book's consciousness to visible transfigurations of the textual content. It leaves one surprised via the phenomenon that's the Genji throughout time.
(Sonja Arntzen, college of Toronto)
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Extra info for Envisioning the Tale of Genji: Media, Gender, and Cultural Production
Example text
There is a stark contrast between Shunzei, who saw The Tale of Genji as indispensable to waka poets, and his wife, Bifukumon-in Kaga, who also loved The Tale of Genji but feared it might have a negative impact on her future. Serious male involvement in Genji kuyō did not emerge until the appearance of the nō play Genji kuyō, which was composed by a man. ” In a new twist on the practice of Genji kuyō, Murasaki Shikibu is in hell because she did not offer prayers to the spirit of her hero Genji, thus endangering her own salvation.
Narrative Reincarnations and Apocrypha Another important stream of the reception of The Tale of Genji is late Heian and medieval court tales (now referred to as ōchō monogatari). The first wave of court tales appeared in the mid- to late Heian period, led by such major texts as Sagoromo monogatari, Hamamatsu chūnagon monogatari (Tale of the Hamamatsu Middle Counselor, 1056), Yoru no nezame, and Tsutsumi chūnagon monogatari (The Tales of the Riverside Middle Counselor, 1055),23 all of which show the heavy influence of the Genji.
29 The “Genji monogatari hyōbyaku,” which later became the centerpiece of the nō play Genji kuyō (Sanctifying Genji, mid-fifteenth century), follows the logic of kyōgen kigo (crazy words and fancy phrases), the Buddhist condemnation of literature as false, which turns the sin of writing fiction into the opportunity and means of achieving salvation. As foreshadowed by the author of the Sarashina nikki, who laments her youthful engagement with The Tale of Genji and, in her later years, regards it as an impediment to her salvation, the practice of Genji kuyō suggests that the position of avid women readers of the Genji was much more ambivalent than the relationship of men to the Genji; for them, it did not appear to become a negative burden, at least in the Kamakura period.
Envisioning the Tale of Genji: Media, Gender, and Cultural Production by Haruo Shirane
by Ronald
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