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One again uncovers the movement of a Mobius strip turned contrary-wise; running as a seamless undoing even as it unceasingly closes in on itself. For Irigaray, breath is not rendered as the fealty of an already subjected subject; the diachrony of breath is instead articulated with speech as dialogue. As with Levinas, the fact of dependence on respiration communicates, within and despite the repetitions of the Dit, something that refuses to be asphyxiated by speech. The repetitions of the Dit are therefore figured as a perilous exercise in "navigation" backward and forward, in which "the element which supports the boat is precisely the element which submerges and threatens to engulf it.

Id. at 88 (my translation). 64· Totalite et Infini, supra note 9, at 177. 65. See generally L'Ecriture et la Difference, supra note 17, at 117-228. 66. Totalite et Infini, supra note 9, at 152 (my translation). 67. Autrement qu'etre, supra note 4, at 238. 30 LAW AND THE POSTMODERN MIND is uncovered does not lose its mystery through being uncovered, that which is hidden is not revealed, the night is not dispersed. 68 The caress reaches beyond consensus or willing agreement, towards that which is not yet, that which is less than nothing, which lies enclosed and dormant beyond the future and, consequently, dormant otherwise than as possibility which might be given to anticipation.

The receptive activity of passion in its "movement toward" becomes the action that excites or draws forth a corresponding passion, so that the scheme of simple opposition is fashioned as an incessant flux of admiration. The insurmountable difference and inexhaustible novelty of sexual difference thereby generates and sustains a continuously reflexive passion. "47 The attempt to color the media of intersubjective communication with the textures of the body (or to otherwise mobilize the body) 42.

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