By Norah McClintock
ISBN-10: 1459805127
ISBN-13: 9781459805125
Whilst quiet, shy Addie is lured into the woods, she is confident she will die. She fast unearths out that there are worse issues than terror--things like betrayal by the hands of her ally and public humiliation in entrance of the full school.
Neely, Addie's ex-best pal, is uninterested in the usual existence and the standard buddies. She is able to take a few probabilities to re-invent herself. Is she additionally able to win new pals on the cost of outdated ones?
There are facets to each tale, and it's very unlikely to grasp the reality until eventually you've heard them either. yet occasionally you don't ever examine the opposite facet of the tale. What drives those acquaintances aside? who's correct and who's fallacious? You'll purely understand should you learn either sides.
About the writer - Norah McClintock's attention-grabbing mysteries are not easy to place down. She is a five-time winner of the Crime Writers of Canada's Arthur Ellis Award for top Juvenile Crime Novel. even if Norah is a contract editor, she nonetheless manages to write down at the very least one novel a 12 months. Norah grew up in Montreal, Quebec, and now lives together with her relatives in Toronto, Ontario.
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Additional resources for My Side
Sample text
In 1992, Points de suspension: Entretiens, a collection of twenty interviews assembled and presented by Elisabeth Weber, included in appendix a list of an additional sixty-seven interviews then published or broadcast. 2 This figure probably falls well short of any thorough count, presuming one could be made that included all the interviews Derrida has frequently granted to newspapers when he travels abroad, to obscure journals, or even student publications. Above all, any such accounting—a hundred, two hundred, five hundred—presumes that the genre “interview” is a self-evident one, and therefore easily discernable from every other genre of writing, speaking, or engaging with interlocutors.
Who avoids whom? There are all sorts of questions and programs that we should not run away from, here and now. “Political” questions (economic, editorial, academic institutional, theoretical, and so forth). . Perhaps we should have begun there. I wonder if it is not necessary to begin with these kinds of questions. They are, finally, the ones that have always interested me the most and the most consistently. . Here, for example . . is there anyone who does not expect me to defend, justify, consolidate things that I have done these last years and about which you have asked me certain questions .
3. On these questions, see Elisabeth Weber, “Upside-Down Writing,” her fine introduction to Points. 4. In a translator’s note in Points (459, n13), I rather hastily identified the allusion here to the first interview as Positions, published in 1972. But the book by that title in fact collected three interviews, given between 1967 and 1971, with different interlocutors and initially published in different reviews. ” Once again, it is difficult to know how to count Derrida’s interviews. 5. ” Derrida also makes the point of remarking his freedom to rewrite what was initially recorded: “What happens,” he asks, “when .
My Side by Norah McClintock
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