By Rosemary Huisman, Julian Murphet, Anne Dunn
ISBN-10: 0511132948
ISBN-13: 9780511132940
ISBN-10: 0521617421
ISBN-13: 9780521617420
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Sample text
In retrospect, her concern with the metanarratives of patriarchy, as evidenced in the repression of women’s history in the public (published) narratives of colonisation (even if women’s stories continued, like Isabella’s, in personal letters), explains her choice of title for her book. The title A Private Life of Henry James has the subtitle, Two Women and His Art. The book is not so much about the detailed everyday activities of James, as one might first assume, as about James’ interactions with the two women and their involvement with his life, professionally and personally.
With so little on the stage, the iconography of the hats – that is, what the hats stand for – must be very significant. But what? What story are we being told, and how do the hats fit in? ) I leave you to give your own interpretation. After the exchanges between the milliners, we then had a long, very long, sequence of people, six at a time, processing from the left, stopping, and a cow-bell was heard, moving off to the right. Each person wore an absurd hat – we recognised the two ‘our’ milliners had been working on, completed – and a pair of orange pyjamas.
At the heart of the myth of the untrammelled wilderness stalked a mythical character . . the wandering backwoodsman who precedes the settlers. (Gordon 1999: 11) This is Natty Bumppo, ‘bonded in spirit and the dignity of nature to his red brother, Chingachgook or Great “Sarpent”’, who both feature in five books of James Fenimore Cooper, of which the most famous is The Last of the Mohicans. ’ The latter is A Guide to the Wilderness (1810), which, Gordon says, ‘tells the primordial frontier story with the unfussed brevity of a man of action’, who wrote ‘fire and fishing tackle were my only means of subsistence .
Narrative and Media by Rosemary Huisman, Julian Murphet, Anne Dunn
by Richard
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