By Adam Phillips
ISBN-10: 1429979062
ISBN-13: 9781429979061
"Balancing acts," writes Adam Phillips, "are enjoyable simply because they're dicy, yet there are events within which it's extra risky to maintain your stability than to lose it." In those exhilarating and casually significant essays, the thinker and psychoanalyst examines literature, fairy stories, artistic endeavors, and case reviews to bare the paradoxes inherent in our appetites and fears. How can we be aware of while adequate is adequate? Are there instances whilst an excessive amount of is simply correct? Why is Cinderella's greatest challenge no longer the prince yet different girls? What can Richard III's livid feel of his personal helplessness let us know of our personal wishes? On stability exhibits Phillips's bravura reward for linking disparate rules and the dreamers that dreamed them into whatever appealing, revelatory, and crucial.
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Extra info for On Balance
Sample text
The fact that the psychotic patient is incapable of a heterogenetic re-establishment does not in itself obviate the richness of erable nucleus of ontological creationism. 82 chaotic "earthing," this perilous oscillation, that something else becomes possible, that ontological bifurcations and the ontological experimentation with which he is confronted despite himself. This is why delirious narrativity, as a discursive power finalised by the crystallisation of a Universe of reference or a non-discursive substance, constitutes the paradigm for the construction and reconstruction of mythical, mystical, aesthetic, even scientific, worlds.
The assemblage of the four ontological functions. possible real 61 does not thus choose one modelisation to the exclusion of another. Within the diverse cartographies in action in a given situation, it tries to make nuclei of virtual autopolesis dis- cernible, in order to actualise them, by transversalising them, in conferring on them an operative diagrammatism (for example, by a change in the material of Expression), in making them themselves operative within modified assemblages, more open, more processual, more deterritorialised.
As Freud observed, Fort-Da is found in other behaviours; it can be expressed in relation to the effective absence of the mother or in a child's game with its own image in the mirror that it makes appear and disappear. It is, in fact, a matter of a rich, multivalent, heterogenetic machine that can neither be legitimately fixed to a maternal-oral stasis, nor to a language stasis, although they incontestably participate in it. It is all these things at the same time and many others besides! We have to choose here between a mechanical conception of deathly repetition and a machinic conception of processual opening.
On Balance by Adam Phillips
by William
4.4