By Carolyn E. Tate
ISBN-10: 0292735499
ISBN-13: 9780292735491
Lately, students of Olmec visible tradition have pointed out symbols for umbilical cords, bundles, and cave-wombs, in addition to an important variety of ladies portrayed on monuments and as collectible figurines. during this groundbreaking examine, Carolyn Tate demonstrates that those topics have been a part of an enormous emphasis on gestational imagery in Formative interval Mesoamerica. In Reconsidering Olmec visible tradition, she identifies the presence of girls, human embryos, and fetuses in monuments and transportable gadgets courting from 1400 to four hundred BC and originating all through a lot of Mesoamerica. This hugely unique research sheds new gentle at the favorite roles that girls and gestational beings performed in Early Formative societies, revealing girl shamanic practices, the generative suggestions that inspired caching and bundling, and the expression of female wisdom within the 260-day cycle and comparable divinatory and formality activities.
Reconsidering Olmec visible tradition is the 1st examine that situates the original hole infants of Formative Mesoamerica in the context of fashionable adult females and the widespread imagery of gestation and beginning. it's also the 1st significant artwork ancient learn of l. a. Venta and the 1st to spot Mesoamerica's earliest construction narrative. It presents a extra nuanced knowing of the way later societies, together with Teotihuacan and West Mexico, in addition to the Maya, both rejected yes Formative interval visible kinds, rituals, social roles, and ideas or followed and remodeled them into the iconic topics of Mesoamerican image systems.
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Additional info for Reconsidering Olmec Visual Culture: The Unborn, Women, and Creation (William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere)
Example text
This book advances Rediscovering Women and Gestation 9 Olmec studies by posing different questions that should expand the relevance of Formative Mesoamerica to a broader audience. In undertaking this study, I have confronted some of the difficult theoretical challenges in Mesoamerican studies, not the least of which are issues of gender construction and the post-structuralist critique of interpretation. Because I have found that gender was framed in ways that are unfamiliar and unexpected to many of my contemporaries, I introduce here some of the basic concepts guiding this study.
Joyce (2001:110) also suggests that the originary female-male couples featured in many Mesoamerican cosmogonies were constructed in three different ways. Either they were conflated by being given the same name, as in the case of similarly crowned Lord One Deer and Lady One Deer of the Mixtec Codex Vienna (Furst 1978); considered to be “both,” like the Aztec Ometecuhtli, a “Two-Lord” who parented other supernaturals; or conceived as fluid, being referred to in some sources as male and in others as female.
H: 55 cm. Museo de Arqueología, Jalapa. Drawing by author. 2 In the following sections we will weave in and out of these interpretive paradigms from their initial presentations to subsequent revisions. Coe’s insights and his enthusiasm for decoding Olmec iconography inspired his student Peter David Joralemon to undertake a more exhaustive analysis of incised symbols in Formative period visual culture. Joralemon, who at one time had been enrolled in divinity school, pursued the possibility raised by his professor of a pantheon of deities.
Reconsidering Olmec Visual Culture: The Unborn, Women, and Creation (William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere) by Carolyn E. Tate
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