By Ian Jared Miller
ISBN-10: 0520271866
ISBN-13: 9780520271869
ISBN-10: 0520952103
ISBN-13: 9780520952102
ISBN-10: 129967738X
ISBN-13: 9781299677388
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Tigers are ferocious like [our] soldiers in China,” added one 1940s flashcard, bringing masculinity and empire into the simple act of learning syllables. Through such means the cultural politics of ecological modernity arrived in youngsters’ lives before they ever visited the zoo. *I assume that human beings are animals, but I have chosen to maintain the distinction between “animals” and “humans” because it more clearly reflects the worldview of my subjects. Japan’s Ecological Modernity | 7 Much as Disney and other corporations work to saturate the private lives of today’s children with dissatisfaction and desire, creating a wish to visit Disney World to see the “real” thing, girls and boys often arrived at the Ueno Zoo, stuffed animals in hand, hoping to rediscover something that they had already learned in school textbooks, children’s magazines, or through word of mouth.
Particularities were there, and they are fascinating in their distinctiveness, but they were expressed on a stage built of transnational materials. Such binaries endured because they were useful. Reformers from inside and outside of the zoo used the juxtaposition of authenticity and artifice, for example, to argue for improved funding, greater legal oversight, or expanded breeding programs. “Progress in the techniques of animal care [shiiku gijutsu] at zoological gardens” becomes increasingly important as extinction accelerates in the wild, the Director of Kyoto’s Imperial Zoo, Kawamura Tamiji (1883–1964) argued in 1940.
Representations of the natural world attain persuasive power not through the objectivity of scientific facts but rather when such concepts are found to be socially and culturally useful. Seen in this way, the trouble with the Anthropocene is not ontological (we know that the climate is changing) but social and normative: the behavior that this abstract knowledge recommends is at odds with ingrained power structures and assumptions about the natural world. It displaces the familiar (if not always comfortable) categories of nature, nation, and society—even person—in favor of the impersonal scientific knowledge of global transformation, nitrogen cycles, terrestrial water cycles, extinction events, and so on.
The Nature of The Beasts : Empire and Exhibition At The Tokyo Imperial Zoo by Ian Jared Miller
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