By Peter Steven
ISBN-10: 1906523568
ISBN-13: 9781906523565
Introduces readers to the political financial system of the foremost media – movie, tv, radio, recording, publishing, and the net – the focus of possession and the convergence of applied sciences and media features. whereas studying the dominant media Peter Steven emphasizes the range of neighborhood media construction and media audiences around the globe. He encourages us to question how the media displays society: are we passive recipients, or can we have a component in developing the area?
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Additional resources for The No-Nonsense Guide to Global Media (No-Nonsense Guides)
Example text
Ironically, Al-Jazeera is one of the most popular networks in Israel and regularly features speeches from Israeli government officials – a first in the Arab media. The network has also attracted attention because of its much broader and often critical coverage of Arab governments in the region – highlighting, for example, their poor record in Darfur. This is a refreshing development for millions of viewers. After 2001, the Bush Government labeled Al-Jazeera a terrorist agency and proceeded to bomb their offices in Kabul and Baghdad.
The Orchestra Baobab salad: • Traditional West African djembe drums. • French colonial dance music influenced by Cuban calypso and salsa, plus Latin love songs. • Various strands of Dakar and regional musics. • A new, younger audience of Senegalese youth weaned on hip-hop. • A Togo guitarist, on vacation from his law practice, who lists his influences as Dr Nico of Congo and BB King. • British world music producers. • References of style and sensibility to other world music icons Youssou N’Dour and Ibrahim Ferrer.
They have simply inherited it. This took place during the reign of the Clinton/Gore Democrats. There seems to be full consensus among US élites about the natural law of private media. Other capitalist media systems around the world show the same patterns, whereby the ruling state has encouraged, legislated or passively allowed a small number of media groups, some state-controlled, some private, some national, some foreign, to control the various industries. Although significant variations apply in different countries or regions, even between France and Germany, none of this could be described as the natural outcome of free markets or the only possible consequence of technological change.
The No-Nonsense Guide to Global Media (No-Nonsense Guides) by Peter Steven
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