By Aram Sinnreich
ISBN-10: 1613763182
ISBN-13: 9781613763186
Within the decade and a part considering that Napster first emerged, ceaselessly altering the face of electronic tradition, the declare that net pirates killed the song has develop into so ubiquitous that it's taken care of as universal wisdom. Piracy is a deadly disease on valid companies and hard-working artists, we're advised, a cybercrime just like id fraud or perhaps terrorism.
In The Piracy Crusade, Aram Sinnreich reviews the idea of piracy as a fable perpetuated by means of at the present time s cultural cartels the handful of businesses that dominate the movie, software program, and particularly tune industries. As electronic networks have permeated our social setting, they've got provided big numbers of individuals the chance to test with leading edge cultural and entrepreneurial principles predicated at the trust that details will be shared generally. This has left the media cartels, whose energy has traditionally resided of their skill to limit the move of cultural details, with tricky offerings: adapt to this new setting, struggle the adjustments the teeth and nail, or settle for obsolescence. Their selection to struggle has ended in ever more advantageous copyright legislation and the competitive pursuit of accused infringers.
Yet the main risky legacy of this piracy campaign isn't the harm inflicted on promising start-ups or on well-intentioned civilians stuck within the crosshairs of file-sharing litigation. way more troubling, Sinnreich argues, are the wider implications of copyright legislation and worldwide treaties that sacrifice unfastened speech and privateness within the identify of scuffling with the phantom of piracy guidelines that threaten to undermine the rules of democratic society.
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Additional info for The Piracy Crusade: How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties
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Eine Ausnahme stellt allein der Wahlkampf von Barack Obama dar, der auf einem Modell des öffentlichen Diskurses beruhte und den Usern ein hohes Maß an Einflussmöglichkeiten zubilligte. Die Anlehnungen an dieses Vorbild fielen bei den meisten Kampagnen allerdings höchst oberflächlich aus; lediglich zwei Außenseiterparteien im britischen Wahlkampf benutzten eine ähnliche Strategie. Zwar ist eine gewisse Standardisierung der Website-Ausrichtung über die vier Länder hinweg festzustellen. Aufgrund der restriktiveren Handhabung der neuen Kommunikationsformen in Europa kann diese Annähe- 46 Eva Johanna Schweitzer & Steffen Albrecht rung jedoch nicht als einseitige „Amerikanisierung“ der Wahlkämpfe beschrieben werden.
In L. ), Campaigns and Elections: A Reader in Modern American Politics (S. 19-25). Glenview, IL: Scott, Foresman and Company. Benoit, W. L. (2007). Communication in Political Campaigns. New York: Peter Lang. Benson, T. W. (1994). The First E-Mail Election: Electronic Networking and the Clinton Campaign. In S. A. ), Bill Clinton on Stump, State, and Stage: The Rhetorical Road to the White House (S. 315-340). Fayetteville, AR: University of Arkansas Press. 52 Eva Johanna Schweitzer & Steffen Albrecht Bialek, C.
Hierbei sollen teilnehmende Beobachtungen und Expertengespräche Einblicke gewähren hinter die Kulissen der Kampagnenplanung. Diese Vorgehensweise ist in der Praxis allerdings eher selten anzutreffen, da sie den politischen Akteuren ein erhebliches Maß an Entgegenkommen, Vertrauen und Kooperationsbereitschaft abverlangt. Konzeptionell gerahmt werden die Studien der Kommunikatorebene durch klassische Diffusions- bzw. B. Rational Choice oder Party Goal-Ansatz), die auf Mikro- (Individuum), Meso- (Organisation) oder Makro-Ebene (Staat) angesiedelt sind.
The Piracy Crusade: How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties by Aram Sinnreich
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