By Matsuya Company
ISBN-10: 0486228746
ISBN-13: 9780486228747
Definitive catalogue of jap heraldic crests that includes nearly limitless number of plant, animal, fowl, and geometric kinds — every little thing from "wild goose" to "folding fan" to "mountain and mist," every one with dozens of diversifications. 4,260 illustrations. "The 4,260 excellent heraldic emblems...are smooth, fascinating, and perfect." — Lady's Circle Needlework.
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In order to satisfy this hunger the Japanese government and the IRAA created traveling theater groups that journeyed deep into the hinterland to entertain and educate audiences. These bands sometimes performed their own material, but frequently used prize songs produced by contests promoted in another government-sponsored magazine Ie no hikari (Homelight), the magazine of the enormous agricultural cooperative movement. 37 Larger film and entertainment companies like Töhö and Shöchiku financially supported their own traveling groups.
Internal IRAA documents reveal that the organization felt its main responsibility was to lead the village associations (chönaikai) and neighborhood associations (tonarigumi). At the lowest level, neighborhood associations were used for mutual surveillance and to promote peer pressure. 33 Village and neighborhood groups instructed the families and individuals on its roster that because Japan was facing a time of crisis in its war with China every aspect of life had to help the war effort. Lectures, magazines, and other media educated Japanese to think about when and what they purchased, and when and what they used and ate.
In best 24 / The Thought War propaganda style, they complained so persistently that they convinced many foreigners it was true. Japanese like nothing better than to be told they were poor propagandists. 17 More cynically one might say that Japan’s stance that it implemented inefficient propaganda lifted the burden from postwar Japanese society that perhaps civilians were complicit in supporting the war. Postwar scholarship incorrectly labeled the wartime Japanese propaganda campaigns as artifacts of the military and government and not as products of collusion between the civilian society and its leaders.
Japanese Design Motifs by Matsuya Company
by Kevin
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