By Margit Grieb
ISBN-10: 0773429190
ISBN-13: 9780773429192
It is a micro-analysis explaining how the transition to electronic media has impacted movie through taking a look at construction outdoor of the mainstream Hollywood studio approach in Germany. This ebook addresses the inability of scholarship at the effect of recent media on German movie. It presents research that specializes in cinematic practices and productions and the way they've been plagued by various applied sciences. the writer narrows her serious concentration to precise examples that illustrate very specific results. She specializes in filmmakers who're operating outdoors of the tested mainstream Hollywood studio creation approach. there's additionally utilization of Bertolt Brecht's theories on new media and theatre to higher know how applied sciences impression functionality artwork. The booklet is so much drawn to how artists re-invent, re-define, or re-discover the shape and content material of the traditional medium of movie and the cinema as an establishment by utilizing technological ideas.
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Extra info for Using New Media Technologies to Transform German Film: A Study in the Proliferation of Communication Genres
Sample text
Viewers translormed this informational technology into an interactive network. Thanks to the Minitel thousands of pea pic connect ti)r purposes never intended by its creators, as a source lor organizing political protests as well as for forming sexual connections (cited in Light). Even though in 2009 Minitel still had 10 million connections per month, France TeJecom is planning to discontinue the service in 2012. 39 (commercia! and otherwise) reinforced conventions. achieves the critical distance.
24 in addition to producing alienation through plot and acting, Brecht intelTUpted the dramatic action of his Schallsliicke with songs and placards, film projections and other technical devices commenting on the action on stage rather than repeating or emphasizing its message. ;; first used in an essay in 1936. Brecht had used the term En{fremdung in his previous writing. " vom Theater vorgebrachten Verhaltungweisen und Situationen herauskommt und kritisiert werden kann, dichtet das Publikum im Geist andere Verhandlungsweisen und Situationen hinzu und htilt sie, der Handlung folgond.
Brecht's artisric undertaking was from the very beginning focused on a radical transfonnation of an existing institution, the theatre, which was to become part of the "'ideological superstructure' for a solid, practical rearrangement of our age's way of life" (Brecht 23). In other words, his Epic Theater could not be divorced from his Marxist ideology. Brecht's conviction that audience reactions to the Epic Theater, seeing contradictions in society and demanding change, would have a firm grounding in Marxist ideology has been criticized by many, most notably by Martin Esslin in Brecht: The Man and His Work.
Using New Media Technologies to Transform German Film: A Study in the Proliferation of Communication Genres by Margit Grieb
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