By Jennifer Feather (auth.)
ISBN-10: 113701041X
ISBN-13: 9781137010414
ISBN-10: 1349298603
ISBN-13: 9781349298600
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Extra info for Writing Combat and the Self in Early Modern English Literature: The Pen and the Sword
Sample text
In addressing these concerns, Vesalius and other anatomists participate in the set of intellectual shifts that scholars have come to see as precipitating the emergence of the humanist subject. By creating for himself a heroic persona that calls upon and transforms the premodern discourses of combat, Vesalius defends the science of anatomy against both those who would charge him with brutally dismembering corpses and those who would argue that such work is unnecessary to the practice of medicine This strategy relies on a specific conception of the corpse that forms the foundation of both humanist ideas of subjectivity as autonomy and Renaissance ideas of combat as conquest.
In so doing, I demonstrate the importance of representations of combat for understanding both the emergence of I n t r oduc t ion : Th e P e n a n d Th e S wor d 19 the humanist subject and premodern notions of selfhood, highlighting the continuities and tensions between these multiple modes of self-construction. Much as chapter 1 offers an alternative to traditional narratives of the development of the humanist subject, chapter 2 imagines a sixteenth-century narrative of national origin that does not entirely disavow indigenous British roots but, through depictions of combat, adapts classical sources to English models of national selfhood.
His inquiry acts on the body not on the person. While Vesalius claims to avoid the question of metaphysics out of courtesy, he asserts authority to speak on the topic because of the significant evidence gotten from the corpses of thieves and amateurs. ”35 Subtly suggesting his disbelief in the dogma that the Bone of Luz is the basis for the recreation of the body at the resurrection, he champions the humanist stance that the intellect should be used to understand the mysteries of creation, separating the object of inquiry from the process of inquiry, anatomized from anatomist.
Writing Combat and the Self in Early Modern English Literature: The Pen and the Sword by Jennifer Feather (auth.)
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