By C. G. Jung
Aion, initially released in German in 1951, is likely one of the significant works of Jung's later years. The significant subject matter of the quantity is the symbolic illustration of the psychic totality during the thought of the Self, whose conventional old similar is the determine of Christ. Jung demonstrates his thesis via an research of the Allegoria Christi, particularly the fish image, but additionally of Gnostic and alchemical symbolism, which he treats as phenomena of cultural assimilation. the 1st 4 chapters, at the ego, the shadow, and the anima and animus, supply a beneficial summation of those key ideas in Jung's process of psychology.
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The scope of this paintings is to synopsize, synthesize, expand, and to problem Bion in a reader-friendly demeanour. offering an important legacy-ideas for psychoanalysis—the principles which are at the leading edge of the sphere that must be recognized by means of the psychological overall healthiness career at large—it highlights and defines the wider and deeper implications of his works.
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Additional resources for Aion: Researches into the Phenomenology of the Self: Archetypes and the Collective Unconscious (The Collected Works of C. G. Jung, Volume 9; Part 2)
As magic circles they bind and subdue the lawless powers belonging to the world of darkness, and depict or create an order that transforms the chaos into a cosmos. 10 The mandala at first comes into the conscious mind as an unimpressive point or dot, 11 and a great deal of hard and painstaking work as well as the integration of many projections are generally required before the full range of the symbol can be anything like completely understood. , are all formulations that can easily be mastered by the philosophic intellect.
This is an indispensable prerequisite for wholeness.  Although “wholeness” seems at first sight to be nothing but an abstract idea (like anima and animus), it is nevertheless empirical in so far as it is anticipated by the psyche in the form of spontaneous or autonomous symbols. These are the quaternity or mandala symbols, which occur not only in the dreams of modern people who have never heard of them, but are widely disseminated in the historical records of many peoples and many epochs. Their significance as symbols of unity and totality is amply confirmed by history as well as by empirical psychology.
In this struggle the individual is never a spectator only; he takes part in it more or less “voluntarily” and tries to throw the weight of his feeling of moral freedom into the scales of decision. Nevertheless, it remains a matter of doubt how much his seemingly free decision has a causal, and possibly 48 unconscious, motivation. This may be quite as much an “act of God” as any natural cataclysm. The problem seems to me unanswerable, because we do not know where the roots of the feeling of moral freedom lie; and yet they exist no less surely than the instincts, which are felt as compelling forces.
Aion: Researches into the Phenomenology of the Self: Archetypes and the Collective Unconscious (The Collected Works of C. G. Jung, Volume 9; Part 2) by C. G. Jung