By Charles Shirō Inouye (auth.)
ISBN-10: 0230615481
ISBN-13: 9780230615489
ISBN-10: 1403967067
ISBN-13: 9781403967060
This ebook explores the japanese idea of hakanasa - the evanescence of all issues. Responses to this concept were a number of or even contradictory: asceticism, fatalism, conformism, hedonism, materialism, and careerism. This publication examines the binds among an epistemology of continuing switch and Japan's formal emphasis on etiquette and visuality.
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Additional info for Evanescence and Form: An Introduction to Japanese Culture
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The singing warbler among the blossoms, the croaking frog in the pond—is there any living thing not given to song? Without exertion, poetry moves heaven and earth. It stirs the feelings of the gods and the spirits of the dead. 80 As described by Tsurayuki, human beings are poetically equal to (rather than the masters of) warblers and frogs. Written words are like leaves (koto no ha), and spoken words are like the songs of birds. Although the expressive mode became more lyrical than ritual, as it once was for the earliest Man’yˉoshˉ u poets, language still connected human beings with the gods and spirits, and with each other.
68 Dreams raise questions. But they also provide answers. Dreaming can become a way to truth. ), a woman who at age fifty-three composed this influential work by loosely linking notes, jottings, and previously composed poems. She took her dreams seriously. The short text mentions eleven; and nine are presented as the narrator’s own. Interestingly, most are visits by religious figures—handsome priests and even Amida—who provide guidance, warning, instruction, and comfort. In fact, the tension that moves the narrative forward places these kinds of useful dreams against useless ones of a more romantic sort.
As a metamorphic blending of similar metaphors, the cicada’s empty shell became nothing less than reality. Orikuchi Shinobu pointed out the link between these two words. ” . . Utsusomi (現身) is a derivation of utsushimi. ” . . ”49 In sum, these terms coalesced around two similar senses of the Real. The truth of mortality is the truth of evanescence. In his study of ancient folklore (Kodai denshˉ o no sekai), Sakurai Mitsuru quotes an early poem in the Man’yˉoshˉ u and notes its use of the utsusemi epithet.
Evanescence and Form: An Introduction to Japanese Culture by Charles Shirō Inouye (auth.)
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