By Holly Wardlow, Joel Robbins
ISBN-10: 0754643123
ISBN-13: 9780754643128
Authored by means of well-established and revered students, this paintings examines the categories of efforts which were made to undertake Western modernity in Melanesia and explores the explanations for his or her diverse results. The members take the paintings of Professor Marshall Sahlins as a place to begin, assessing his theories of cultural swap and of the connection among cultural intensification and globalizing forces. They recognize the significance of Sahlins' principles, whereas refining, extending, enhancing and critiquing them in mild in their personal first hand wisdom of Pacific island societies. additionally featuring certainly one of Sahlins' much less generally on hand unique essays for reference, this publication is an exhilarating contribution to severe anthropological engagement with Papua New Guinea.
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Extra info for The making of global and local modernities in Melanesia: humiliation, transformation and the nature of cultural change
Example text
An Jelas that have increased, not a sense of humiliation or self-loathi IS _ma WhiCh IS not to suggest that these emotions or subjective states are mut all ng I u y exc USlve or unrelated. In this chapter, I use the conce t of m adane to explore Sahlius' assertions about huuu'li 11' . P and the pursmt of modernity. a on V. Humiliating Discourses: Christianity, Race, aod Gender In answer to the question of where humiliation . comes from, Sahlins suggests that the propagation of Christianity w'th 't .
Thus, to be a person i~ t~ express autonomous desire. However, Huli also assert that many prohiblhons ~d injunctions on behavior are designed to constr~in desire. For example, durmg menstruation women are not supposed to look directly at men. others say that to look directly into a man's eyes is to incite his desire, and so this taboo 18 meant to limit desire during a time when it would be too dangerous to have sex. Sintilarly, the insides of many contemporary Huli houses have two :id~s, one. for the husband and one for the wife, and neither should venture to other s SIde.
Such assertions initially seemed to me to be clear-sighted critiques of capitalist How could the most important markers of a culture - ItS language and moral precepts _ be so similar unless they have the same origins? The Huli must have originally come from Israel too, they conclude, and Huli people and white (assumed to be Christian) people are descended from the same. ancestors. e. e. we are you. 2 What is problematic is that most waitskin (whites) do not see this of being imprisoned by, or at the mercy of, one's desires.
The making of global and local modernities in Melanesia: humiliation, transformation and the nature of cultural change by Holly Wardlow, Joel Robbins
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